Saturday, January 28, 2017

Course Outline


COURSE OUTLINE
CMN 201

                                                                                               

Note:                 Dates and assignments may be subject to change.
                         Please bring assigned text(s) to class.
                         Readings should be completed before the dates indicated below.

                         Pursuant to the character of the genre, some of the course material 
is graphic in nature.
                        
WEEK 1: (W) 1/29 Introduction


WEEK 2: (W) 2/5 Horror Film and Fear
Read:
Projected Fears – Introduction 
Horror Film – Chapter 4 (What is Horror?), Chapter 5 (Why of Horror),
Chapter 6 (Critics and Censors)


WEEK 3: (W) 2/12 Horror Film in the 1920’s 
View – The Cabinet of Dr. Caligari (1920)
Read: 
Nightmares - Chapter 1 (Origins in Film Gothic)
Horror Film - Chapter 1 (Genrification)

WEEK 4: (W) 2/19 Horror Film in the 1930’s
View -  Dracula (1931)
Read: 
Projected Fears –  Chapter 1 (Dracula)
Nightmares – Chapter 2 (Studio Horrors of the 1930’s), Chapter 10 (Reality Bites), Chapter 11 (Browning)
                                                    Journal #1: Cabinet of Dr. Caligari


WEEK 5: (W) 2/26 Horror Film in the 1940’s
View – Cat People (1942)
Read:
Nightmares - Chapter 3 (Shadow Play)
Horror Film - Chapter 2 (1939-1973)
Journal #2: Dracula

WEEK 6: (W) 3/4 Horror Film in the 1950’s
View – Invasion of the Body Snatchers (1956)
Read:
Projected Fears – Chapter 2 (Thing from Another World)
Nightmares –  Chapter 4 (Body Snatchers)
Journal #3: Cat People


WEEK 7: (W) 3/11 Horror Film in the 1960’s
View – Psycho (1966)
Read:
Projected Fears – Chapter 3 (Psycho)
Nightmares - Chapter 5 (California Gothic), Chapter 12 (Hitchcock)
                                            Journal #4: Invasion of Body Snatchers

                                         

WEEK 8: (W) 3/18 SPRING BREAK - No Class

WEEK 9: (W) 3/25 Horror Film in the 1960’s: Part II
View – Night of the Living Dead (1968)
Read:
Projected Fears – Chapter 4 (Night of the Living Dead)
Nightmares – Chapter 6 (Apocalypse), Chapter 14 (Romero)
Journal #5: Psycho

                                                                                   
WEEK 10: (W) 4/1 Horror Film in the 1970’s 
View – The Exorcist (1973)
Read: 
Projected Fears – Chapter 5 (Exorcist and Texas Chainsaw Massacre)
Horror Film - Chapter 3 (1974 to Present)
.                                                       Journal #6: Night of Living Dead

WEEK 11: (W) 4/8 Horror Film in the 1980’s (Debuting in 1978)
View -  Halloween (1978)
Read:
Projected Fears – Chapter 6 (Halloween)
Nightmares - Chapter 7 (Shrinking Man), Chapter 15 (Carpenter)
Journal #7: The Exorcist
                                                                                                        



WEEK 12: (W) 4/15 Horror Film in the 1990’s
View – The Blair Witch Project (1999)
Read: 
Nightmares – Chapter 8 (Postmodern Horror I), Chapter 9 (Postmodern Horror II)
Horror Film - Chapter 9 (Digital Horrors)    
  Journal #8: Halloween


WEEK 13: (W) 4/22 Horror Film in the 2000’s
View – 28 Days Later (2002)
Read – 
Projected Fears (Conclusion)
Horror Film – Chapter 7 (Spooky Sounds)
                                            Journal #9: The Blair Witch Project
 

WEEK 14: (W) 4/29 Horror Film in the 2010’s View-  Get Out (2017)
Read: 
Horror Film – Chapter 8 (Colours of Fear)
Journal #10: 28 Days Later


WEEK 15: (W) 5/6 Horror Film in Media and Popular Culture
NightmaresSkim Filmography 
Journal #11: Get Out


FINAL EXAM & Final Course Project:
Wednesday, 5/11 

(early submissions encouraged)

Syllabus


The Social Impact of Mass Media: The Horror Film in Media and Popular Culture        
Time: Wed 6-8:50PM

INSTRUCTOR: LILLIAN RUIZ             
Phone: 775-1236
Office: N328A                                             
Office Hours: M/W 12-1, T/Th 9-10, or by appointment
Mailbox: Humanities Office                      
E-mail: ruiz@gcc.mass.edu

Course Blog: cmn201.blogspot.com


TEXTS:
TProjected Fears: Horror Films and American Culture – Phillips
Nightmares in Red, White, and Blue – Maddrey
Horror Film: A Critical Introduction – Leeder


Note: It is assumed that students will have a good dictionary and thesaurus for reference.

COURSE DESCRIPTION:
An in-depth, focused analysis of a specific theme/topic in mass media 
(film, TV, print, music, and video games) in order to examine social and cultural 
issues such as race, class, and gender. Each semester the instructor selects the 
topic or major theme of the course. Prereq: ENG 101
Recommended: Media and Popular Culture (CMN 153)

INSTRUCTIONAL OBJECTIVES:
1.     Summarize scholarship of various mass media so to understand mass media’s 
academic relevance.
2.     Recognize and articulate symbolic and metaphoric meanings in various mass 
media so to improve critical thinking skills.
3.     Identify and analyze the cultural significance of mass media so to understand 
the influence of mass media in our society. 
4.     Gather and appraise examples of various mass media so to identify some of the 
cultural and social anxieties in our society.
5.     Explain in oral and written form the uses, meanings, and popularity of 
mass media so to improve oral and written communication skills.
6.     Understand and draw connections between mass media and oneself, others, 
and society at large so to identify mass media’s social, political, and cultural influence.
7.     Evaluate and interpret data on the use and popularity of various mass media so 
to improve analytical skills.
8.     Examine social issues such as race, class, and gender portrayed in various 
mass media so to better understand such issues in our own society.           

PROCEDURES:
Procedures include class discussion, group work, mini-lectures and reading/writing
assignments that emphasize critical thinking and critical analysis.




COURSE REQUIREMENTS:
Students are expected to complete all reading and writing assignments by the due date.
Students will submit periodic journal entries discussing their reactions to the various
media (see JOURNAL). A final exam will also be given.

INSTITUTIONAL SERVICES DISABILITY STATEMENT:

Greenfield Community College values inclusion and equal access to its programs and activities 
and is committed to fostering an environment of respect and full participation.  Our goal is to 
create learning environments that are equitable, inclusive, and welcoming.  If there are aspects 
of the instruction or design of this course that result in barriers to your inclusion or accurate 
assessment or achievement, please notify the instructor as soon as possible.  If you are a 
student with a disability and may need reasonable academic accommodations, please 
contact the Office of Disability Services (ODS) as soon as possible to discuss your needs 
and options.  The ODS is located on the fourth floor of the Core in the Wellness Center, C423.  
For an appointment, please call (413) 775-1332.

RESPONSE JOURNAL:
The journals are meant as an opportunity for students to analyze media. Guidelines will be
very informal, as each student should use the journals as an opportunity to explore the media
 in the way he or she feels would be most beneficial. Some suggestions will be given in
class, but on the whole the journals should reflect whatever relevant thoughts, questions,
etc. the individual student has about a particular form of media. The journals will also
 provide an excellent opportunity to brainstorm and freewrite project topics and
final examination questions.   Journals should be typed or handwritten in blue or black
ink on loose paper (NOT in a notebook) and numbered. They will be collected on a
regular basis and graded. Journals will be graded excellent, good, satisfactory, less
than satisfactory, or unsatisfactory. Late journals will lower your grade by one
full grade and no late journal will be accepted after one week has elapsed unless you have
made other arrangements with me beforehand. Please use a staple if your journal is over
1 page long.

ATTENDANCE:
Class activity and discussion is extremely important and cannot be made up. Thus,
absences and tardiness will be negatively reflected in your participation grade (while each
case is different, anything more than 1 absence could lower your grade). In the event
that you absolutely must be absent, you are required to obtain that day’s notes and
assignments from another student. Excessive absences could result in failure. You do not
need to notify me that you are going to be absent for a particular class. However, do
speak with me if you miss several classes.

CONSULTATIONS:
Students may meet with me by appointment.

COURSE PROJECT:
The final course project is a written analysis of a representation of horror film in a particular
 mass medium, although there is room for more creative approaches (guidelines will be
discussed in class). It is due on or before the last day of class (early submissions 
encouraged). Text should be typed, double-spaced, and have one inch borders.
Pages should be numbered. Papers should also be stapled and include a cover page.
Cover pages should include a title, your name, the course and section #, my name, and
the due date.

Note: Students may have the option to revise their graded project, subject to permission
of instructor. Consult with me if you wish to revise. The original project must be submitted
 with the revision.

PLAGIARISM:
Plagiarism is defined by the Modern Language Handbook: Fourth Edition as “ us[ing]
 another person’s ideas or expressions in your writing without acknowledging the
source” (26). DO NOT plagiarize in your papers or writing. Plagiarism can result
in stiff classroom penalties, and may also lead to college disciplinary action.

GRADING (approximate percentages):
10%           Participation (attendance, in-class assignments and activities, etc.)
30%           Journal
30%           Course Project
30%           Final Exam
100%                    

A = Excellent, B = Good, C = Satisfactory, D = Poor, F = Failing












Criteria for Essay Evaluation



The A Paper

The A paper develops a clear central idea with originality and depth of thought and displays a consistent sense of audience. Its topic is developed with clear and logical supporting ideas.

The organization is sound. Each paragraph has a core idea supported by fitting examples and illustrations. Paragraphs are joined to those following and those before with smooth links.

Sentences are well put together and varied.

The paper is free of common errors in grammar, punctuation, and spelling.


The B Paper

The B paper has a clearly stated central idea but lacks energy or depth of thought. It draws safe conclusions. The topic is interesting, focused adequately and logically developed.

Organization is correct and logical, but strains a little. Each paragraph has a central idea, examples, or illustrations, and a logical point. Some of the transitions between paragraphs are smooth.

Sentences have little variety in structure.

The paper is largely free of common errors in grammar, spelling, and punctuation.


The C Paper

The C paper has a reasonably clear central idea and shows adequate grasp of the reason for the assignment (such as direction, description, persuasion) but focus is blurred in places. The development with examples or illustrations is sketchy in some spots.

The organization is not altogether clear. Most paragraphs have a sense of organization, but development is vague and transitions between paragraphs are awkward or lacking.

There are some patterns of mistakes in grammar, spelling, and punctuation, but overall, the paper is without serious errors.



The D Paper

The D paper does not state of develop a central idea, though the pattern shows the writer has some central concept. The sense of audience is inconsistent.

The organization is hard to follow, and frequently paragraphs seem to lack a central idea. Transitions between paragraphs are scanty or absent.

Sentences are awkward or incorrectly constructed. The writing does not indicate college-level proficiency.

There are frequent errors in grammar, punctuation, and spelling.


The F Paper

The F paper states no central idea, and has no connection to a single topic. The writing is contradictory and characterized by many apparent changes of subject.

No evidence of overall editing or writing beyond a first draft stage is evident.

Most sentences have errors in construction.

Paragraphing is haphazard.

There are many errors in grammar, punctuation, and spelling.